By Chris Meigh-Andrews
Tracking the altering varieties of video paintings in terms of the revolution in digital and electronic imaging that has taken position over the last 50 years, A heritage of Video Art orients video paintings within the wider paintings old context, with specific connection with the shift from the structuralism of the overdue Nineteen Sixties and early Seventies to the post-modernist matters of the Eighties and early Nineties. the hot variation additionally explores the results of the internationalisation of artists' video within the interval top as much as the recent millennium and its issues and preoccupations together with post-colonialism, the post-medium situation and the influence and impact of the internet.
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A History of Video Art by Chris Meigh-Andrews